Gifts for Those Who Wander

A unique souvenir for the kids to map their home and travels. The little ones will love to show and tell about Brooklyn, New York on their t-shirt. • A perfect gift for little ones. • 100% cotton knit tee, hand silkscreened with water-based ink. • Offered in toddler sizes 2, 4, and 6. • Map designs available on red and navy t-shirts, and Font design available on grey t-shirt. • Made in the USA. Designed and Printed in Brooklyn, NY.

Don't forget to add a Lip Tint Tester! The perfect shade of red! These sheer lip tints feature buildable color, so you can be as bold or as subtle as you wish. Your favorite Poppy & Pout lip balm formula, now with a subtle tint! Apply once for sheer coverage or double/triple up for a more colorful lip. All tints feature our best-selling Sweet Mint flavor! Ingredients: Cocos Nucifera (Coconut) Oil, Cera Alba (Beeswax), Helianthus Annuus (Sunflower) Oil, Mentha Piperita (Peppermint) Oil, Vanilla Planifolia Extract, Ethical Mica, Iron Oxide, Titanium Dioxide, Tin Oxide, Tocopherol (Vitamin E). 100% Natural | Cruelty-Free (Leaping Bunny Certified) | Eco-Friendly

Don't forget to add a tester! Looking to heat things up? Our Cinnamint Lip Balm is sure to satisfy! After applying our Cinnamint Lip Balm, there is a light spicy/tingling sensation that subsides after a few moments. Cinnamon lovers will adore this product! 🌼 100% NATURAL INGREDIENTS We only use ingredients that are 100% natural. No parabens, phthalates, or petrolatum. Our coconut oil is USDA certified organic and we are Leaping Bunny certified cruelty-free! 🌼 DOUBLE THE BALM Our lip balm tubes (0.3 oz) are twice the size of a standard lip balm 🌼 ABOUT POPPY & POUT We have been making our all-natural lip care products by hand in Idaho since 2014. Our lip balms are made from ethically sourced beeswax, organic coconut oil, and sunflower oil. We then add a hint of essential oils and/or natural flavor oils and a drop of Vitamin E. That's it! Simple ingredients for perfectly hydrated lips. 🌼 100% Natural | Cruelty-Free (Leaping Bunny Certified) | Eco-Friendly

All-in! Get your friends together for an evening of poker. This easy travel case comes with 200 poker chips in 4 colors, 2 deck of cards and 5 dice. Case features a beautiful black velvet lining within.

14.3"L x 9.1"W x 2.4"H

A photographic travelog of Meyerowitz’s yearlong journey across postwar Europe

In 1966, at the age of 28, photographer Joel Meyerowitz embarked on a journey that would take him to the United Kingdom, Ireland, Spain, France, Germany, Eastern Europe, Turkey and Greece. In total, he drove 20,000 miles through 10 countries and ended up taking 25,000 photographs. This trip was a transcendental experience and formative in shaping Meyerowitz's instinctive and brilliant identity that he is known for today. Europa 1966–1967 compiles a selection of photographs taken by Meyerowitz on his yearlong trip through Europe, offering an exciting glimpse of the “New Old World” that, having lately overcome the trauma of World War II, opened itself to modernity and progress. Meyerowitz witnessed societies in transition, stuck between dictatorship and economic blossoming. Yet he also documented unshakable cultural traditions, such as when he lived with a flamenco-performing family in Francoist Spain for six months. The strength and freshness of Meyerowitz’s gaze and the new codes that were captured in these pictures inspired the next generation of photographers.

Relaxation is near with this sweet box set of our beautiful bath products and facial steam. Our most popular relaxation products, made mini for your convenience. At Palermo, baths and facial steams are some of our favorite ways to slow down and take care of ourselves. Perfect for traveling, gift-giving, or just treating yourself to some well-deserved "me-time", this charming little box contains all the essentials for a cozy night in.

Each deluxe sample size is packaged in individual resealable and recyclable bags and contains enough for two generous uses. 

Don't forget to add a tester! Our Wild Honey Lip Balm is a soft and savory vibe for your lips! It’s subtle, sweet, and will hydrate your lips for hours. Every Poppy & Pout lip balm is made with 100% natural ingredients and hand-poured into eco-friendly cardboard tubes! 🌼 100% NATURAL INGREDIENTS We only use ingredients that are 100% natural. No parabens, phthalates, or petrolatum. Our coconut oil is USDA certified organic and we are Leaping Bunny certified cruelty-free! 🌼 DOUBLE THE BALM Our lip balm tubes (0.3 oz) are twice the size of a standard lip balm 🌼 ABOUT POPPY & POUT We have been making our all-natural lip care products by hand in Idaho since 2014. Our lip balms are made from ethically sourced beeswax, organic coconut oil, and sunflower oil. We then add a hint of essential oils and/or natural flavor oils and a drop of Vitamin E. That's it! Simple ingredients for perfectly hydrated lips. 🌼 100% Natural | Cruelty-Free (Leaping Bunny Certified) | Eco-Friendly

Our Pink Grapefruit Lip Balm has been a best-seller for years due to it's light, fruity scent and hydrating qualities! Every Poppy & Pout lip balm is made with 100% natural ingredients and hand-poured into eco-friendly cardboard tubes.

🌼 100% NATURAL INGREDIENTS We only use ingredients that are 100% natural. No parabens, phthalates, or petrolatum. Our coconut oil is USDA certified organic and we are Leaping Bunny certified cruelty-free! 🌼 DOUBLE THE BALM Our lip balm tubes (0.3 oz) are twice the size of a standard lip balm

🌼 ABOUT POPPY & POUT We have been making our all-natural lip care products by hand in Idaho since 2014. Our lip balms are made from ethically sourced beeswax, organic coconut oil, and sunflower oil. We then add a hint of essential oils and/or natural flavor oils and a drop of Vitamin E. That's it! Simple ingredients for perfectly hydrated lips. 🌼 100% Natural | Cruelty-Free (Leaping Bunny Certified) | Eco-Friendly

The first in-depth survey of Whitney’s endless experimentation with color.

The esteemed American painter Stanley Whitney has, for 50 years, created joyful, immersive abstractions characterized by a bold, experimental palette and unique rhythm. Over the last 20 years, he has structured his paintings as loose grids: a consistent framework that frees him to work through seemingly infinite painterly variations and allows viewers to focus not on each painting’s subject, but rather on our own response to color. These large-scale paintings are joined by improvisatory small paintings; drawings and prints, which constitute their own practice for Whitney; and the artist’s sketchbooks, which offer a view into Whitney’s engagement with the written word and politics.
This traveling North American exhibition is Whitney’s first museum survey, presenting 170 paintings and works on paper spanning from the 1970s to the present day. The catalog includes an introduction by exhibition organizer Cathleen Chaffee, scholarly explorations of the artist’s paintings and works on paper, a chronology and illustrations of all works in the exhibition.
Stanley Whitney was born in 1946 near Philadelphia. By the early 1970s, following studies with Philip Guston and Robert Reed, and influenced by artists including Jack Whitten, Josef Albers and Piet Mondrian, he had come to see “endless possibilities” in abstraction. Over the past five decades, he has honed a unique body of densely gridded, but endlessly variable, abstract paintings, as well as drawings and prints, reflecting his interests in art, architecture, textiles and music.

Punk, humor, poetry and pure rage: the full story of Pussy Riot as told by the group’s members

The Russian art collective and activist group Pussy Riot, formed in Moscow in 2011, is famous for its spontaneous and courageous actions challenging the Russian regime. Edited by Maria (Masha) Alyokhina, member and cofounder of the feminist-activist performance collective, this volume compiles, in chronological order, the last decade-plus of Pussy Riot’s happenings in Russia. Recurrent themes in the group’s feminist, anti-Putin practice include freedom of expression, human rights, LGBTQ+ rights and the release of political prisoners, while recent actions and works feature anti-war statements and support for Ukraine. Accompanying the eponymous traveling exhibition—the group’s largest presentation of work to date and its first-ever museum show—it is bolstered by a vast selection of photos and video stills, as well as personal accounts from the group’s members. In addition to documenting the performances themselves, the catalog chronicles the consequences of these nonviolent public actions for those who took part: these include arrests, beatings, imprisonment, poisoning, surveillance and house arrest. In addition to the iconic performances, such as Punk Prayer (2012), the exhibition catalog also documents a wide range of lesser-known actions as well as the escape from Russia of some of Pussy Riot’s key members in 2022. Told from the perspective of the Pussy Riot activists themselves, the exhibition and accompanying catalog provide a critical and timely insight into the evolution of Putin’s Russia over the past 10 years, including the military invasion of Ukraine.

This is going to be the best day of your life. Springsteen blasting on the Verrazano, the bands in Brooklyn, the crowds on 1st Avenue and the finish line in Central Park. Run like you stole something.

 

BEYOND THE STREETS Publishing is pleased to announce The Light of the Beast, an expanded 2023 version of the acclaimed book originally released in 2020 by multidisciplinary artist Pablo Allison – featuring extra graffiti-related content, with 100 new and never-before-seen additional images. 

The Light of the Beast is the culmination of six years of work documenting migrants traveling from Central America, through Mexico and into the United States as a final destination. Since 2007, British/Mexican artist Pablo Allison has tried to understand life and its intricacies by documenting migration and its consequences. What started off as a series of illegal voyages on freight trains in Mexico, with no clear destination, resulted in photographing people escaping extreme violence and poverty.

Published by BEYOND THE STREETS

Hotel Wailea defines the ultimate Hawaiian-island escape. Perched above the deep-blue water of the Pacific Ocean and tucked away in forest of lush palm and banana trees, Hotel Wailea is an ultra-private Maui boutique resort and Hawaii’s only Relais & Châteaux property. For those dreaming of adventure, romance and laid-back beach luxury, Hotel Wailea is waiting to wish you aloha.

Join acclaimed local journalist Malia Mattoch as she explores Hotel Wailea’s intriguing past and plunges into the present of this effortlessly glamorous escape. With page after page of original photography, this book captures the essence and style that make this hidden boutique hotel a home away from home for the in-crowd, celebrities and anyone else looking for a touch of Maui without the endless crowds.

Hotel Wailea began as a mysterious property with a mischievous past. Originally constructed in the 1980s as a member club called the Diamond, it had the ocean at its feet, Maui’s dormant Haleakalā volcano at its back and intrigue at its core. McManus saw the possibility of creating something new: a tropical luxury village rather than a single high-rise building typical of neighboring properties. “The prevailing thought process coming off a plane to do a hotel in Hawaii is that everything has to be centered on the beach,” says McManus. “Typically, locals in Hawaii know that living on the beach is a less than private experience, especially when you compare it to seaside locations in Europe, where it’s about the ocean views, a sense of privacy and service.”

Hotel Wailea was recognized as the No. 1 Hawaii resort in Travel + Leisure’s 2023 World’s Best Awards, the first property ever to win No. 1 Hawaii two years in a row. Hotel Wailea has also been recognized on the prestigious Travel + Leisure Top 500 World’s Best List for multiple years, including in 2023.

Kehinde Wiley’s acclaimed World Stage series inserts into the language of old master portraiture the very ethnicities and ethnic iconography that western art has most excluded from it, or that western art has portrayed solely in colonial, Orientalist terms. Among the countries and continents he has previously depicted in this ambitious traveling epic are Brazil, Africa, China, India and Sri Lanka.

The rhetoric of Wiley’s paintings is powerful in its compositional candor, color palette and playfulness with constructions of visual meaning; as Paul D. Miller (DJ Spooky) notes, “Wiley’s canvas surfaces are a mirror reflection of America’s unceasing search for new meanings from the ruins of the Old World of Europe and Africa.” This volume includes a selection of new World Stage portraits, focusing on contemporary youth from Jewish-Ethiopian-Israeli, Jewish-Israeli and Arab-Israeli communities.

A fave with brunch-lovers, this cozy Nolita spot is a must-visit.

Wanderlust for your walls!  Iconic hot spots from dreamy destinations reimagined in charming watercolor. From restaurants and resorts, to parks and posh hotels, we've got your perfect place in our collection of classic travel stops.

-Offered in sizes 5" x 7" and 9" x 12"
-Archival quality giclée print on fine art bright white paper

Tamara Shopsin’s classic 5 Year Diary 

Designed by Shopsin--whose illustration work is regularly featured in The New York Times--and produced by The Ice Plant and Shopsin’s General Store, the pint-sized 5 Year Diary helps you keep track of the next 60 months of your life in just a few lines a day. Each page of the diary is devoted to one day of the year and subdivided into five sections (each with its own space for notes), so that, as time goes by, past entries can be read as the new ones are written.

Handsomely clothbound with a red ribbon bookmark, the diary can be started on any day of any year--even a leap year. In the back of the diary are pages to record the books you’ve read and places you’ve traveled. As New York magazine’s Kendall Herbst noted, the 5 Year Diary is an ideal gift for anyone, anytime, as well as the perfect way to “trace your life’s highlights and trim out the minutiae… Think of it as a sort of CliffsNotes to your life."

These Medium Round Green Porcelain Earrings add a subtle yet stylish pop of color to any wardrobe. Crafted from high-quality porcelain, these earrings are durable and easily transition from day to night.

• Hand cut and sculpted with porcelain, shape and size may vary slightly

• Lightweight

• Sterling silver studs and back, details in liquid gold

Notes or additional information about the work. 

Porcelain is fragile, be mindful when handling over hard floors. If good care is taken it can last a lifetime.

Unglazed areas can become dirty overtime, you can clean with a damp cloth and mild soap.

When traveling keep your earrings inside a box to avoid pressure and preferably carry in your personal bag.

 

• Hand cut and sculpted with porcelain, shape and size may vary slightly

• Lightweight

• Sterling silver studs and back, details in liquid gold

Notes or additional information about the work. 

Porcelain is fragile, be mindful when handling over hard floors. If good care is taken it can last a lifetime.

Unglazed areas can become dirty overtime, you can clean with a damp cloth and mild soap.

When traveling keep your earrings inside a box to avoid pressure and preferably carry in your personal bag.

 

 

The third in an imaginative series of small books, each of which offers a charming dinner menu.  There is an emphasis on reducing food waste by thoughtful use of ingredients, and on careful preparation to prevent last minute fuss.

There are twelve different recipes in this small book (5" x 7", 36 pages). In addition to Voll's notes on shopping and cooking ahead, there is also a short rumination on preserving that may include the first reference to Homer we've seen prefacing a jam recipe.

Menu No. 3 offers recipes for

• Gin Cocktail
• Grilled Lobster with Parsley and Scallion Butter
• Charred Vegetables with Creamy Scallion Dressing
• Hush Puppies
• Green Salad
• Olive Oil Gelato with Tomato Jam
• a bonus

As for author Brian Voll, a self-taught, trial-and-error, home cook, he says,

I was born in Indiana to a mother who loved to cook and considered her kitchen a laboratory to try any and every interesting or unusual recipe that she came across. Her five children were her guinea pigs, and when a recipe turned out, we ate very well. When a recipe didn’t turn out, we ate a lot of pizza.

Since moving to New York ages ago, I’ve been recreating that dynamic among my chosen family in my little kitchen. Each of my cookbooklets is a distillation of a really good night when everybody ate very well, when the recipes I’d been tinkering with finally came together. The series is as much a memoir as it is a collection of recipes. Embedded within each page are the kinds of things I like to cook—inspired by travels around the world and New York City, rooted in my friends and family, and grounded in how I think about cooking: solving the puzzle for maximizing flavor and minimizing waste.

My hope is that these stories inspire people to take pleasure in home cooking with good friends.

This volume, the third in the artist’s first seven-part catalogue raisonné, contains the sketches and preparatory work af Klint made in anticipation of The Paintings for the Temple. af Klint traveled with these sketchbooks so as to be able to show her friends her work in a more accessible format.

Parsley Gigante d’Italia is a deep green, broad-leaved plant, with strong stalks, a fresh, slightly spicy aroma and a tangy-sweet flavour. Also known as Sellerina, because its long stalks can also be eaten like celery, parsley is a particularly high yielding variety that is well suited to autumn cultivation due to its resistance to the cold. Although parsley is a favourite of chefs worldwide, it has often been associated with death and evil. According to Greek mythology, the plant sprouted from the blood of the infant prince Archemorus, who was killed by a serpent. Later on, it became associated with Satan—since parsley seeds have a slow germination rate, the popular belief was that the seeds had to travel to hell and back many times before they could germinate.

4.25" x 2.75" Printed on sturdy cardstock 8 pages

Since 1985, photographer Phyllis Galembo has traveled extensively to photograph sites of ritual dress in Africa and the Caribbean. In her latest body of work, collected in this new publication, Galembo turns to Mexico, where she captures cultural performances with a subterranean political edge. Using a direct, unaffected portrait style, Galembo captures her subjects informally posed but often strikingly attired in traditional or ritualistic dress.

Masking is a complex tradition in which the participants transcend the physical world and enter the spiritual realm. Masks, costumes and body paint transform the human body and encode a rich range of political, artistic, theatrical, social and religious meanings on the body. In her vibrant color photographs, Galembo highlights the artistry of the performers, how they use materials from their immediate environment to morph into a fantastical representation of themselves and an idealized vision of a mythical figure. In a gorgeous, fascinating photographic survey of Mexico’s masking practices, Galembo captures her subjects suspended between past, present and future, with their religious, political and cultural affiliations—their personal and collective identifications—displayed on their bodies.

Photographer Phyllis Galembo (born 1952) received her MFA from the University of Wisconsin–Madison in 1977, and was Professor in the Fine Arts Department of SUNY Albany from 1978 to 2018. A 2014 Guggenheim Fellow, Galembo has photographs in numerous public and private collections, including the Metropolitan Museum of Art and the New York Public Library. Her photographs of ritual masks in Africa, the Diaspora and beyond have been the subject of several monographic publications, including Maske(Aperture, 2016).

By 1944, Gordon Parks had established himself as a photographer who freely navigated the fields of press and commercial photography, with an unparalleled humanist perspective. That year, Roy Stryker—the former Farm Security Administration official who was now heading the public relations department for the Standard Oil Company (New Jersey)—commissioned Parks to travel to Pittsburgh, Pennsylvania, to document the Penola, Inc. Grease Plant.
Employing his signature style, Parks spent two years chronicling the plant’s industry—critical to Pittsburgh’s history and character—by photographing its workers. The resulting photographs, dramatically staged and lit and striking in their composition, showed the range of activities engaged in by Black and white workers, divided as they were by roles, race and class. The images were used as marketing materials and made available to local and national newspapers, as well as corporate magazines and newsletters. However, they served as much more than documentation of industry, enduring as an exploration of labor and its social and economic ramifications in World War II America by one of the most influential artists of the 20th century.
Featuring more than 100 photographs, many previously unpublished, this is the first book to focus exclusively on Parks’ photographs for the Standard Oil Company, illuminating an important chapter in his career prior to his landmark career as a staff photographer for Life.
Gordon Parks was born into poverty and segregation in Fort Scott, Kansas, in 1912. He worked as a brothel pianist and railcar porter, among other jobs, before buying a camera at a pawnshop, training himself and becoming a photographer. In addition to his tenures photographing for the FSA (1941–45) and Life magazine (1948–72), Parks evolved into a modern-day Renaissance man, finding success as a film director, writer and composer. He died in 2006.

Lauded internationally for her narrative quilts and her colorful paintings of African American life, New York artist Faith Ringgold has explored and sabotaged perceptions of identity and gender inequality through her experiences in the feminist and civil rights movements.
This catalog is published for her international traveling exhibition organized by the Serpentine, London, which traveled to Bildmuseet, Sweden, in 2020 and opens at Glenstone Museum, Potomac, Maryland, in 2021. Focusing on several series of paintings, story quilts and political posters from the 1960s to today, the book includes two texts by Michele Wallace that interweave Ringgold’s biography with the chronology of works in the exhibition. In an extensive interview, Hans Ulrich Obrist and Ringgold discuss her life in Harlem, the civil rights movement of the 1960s, her inspirations and her passion for storytelling and exercising her freedom of speech. The book also documents the expanded scope of the exhibition at the Glenstone Museum, which includes key examples of Ringgold’s soft sculpture and rare experiments with pure abstraction.
Faith Ringgold (born 1930) is a painter, mixed-media sculptor, performance artist, teacher and writer best known for her narrative quilts. As an avid civil rights and gender equality activist, Ringgold’s work is highly political; in 2020, the New York Timesdescribed her as an artist “who has confronted race relations in this country from every angle, led protests to diversify museums decades ago, and even went to jail for an exhibition she organized.” She has had solo shows at Spectrum Gallery (1967), Studio Museum in Harlem (1984) and, most recently, a five-decade retrospective at the Serpentine (2019). Her work is in the collections of the Museum of Modern Art, New York, the Brooklyn Museum and the Baltimore Museum of Art, among others.