20 products
An Indigenous Present
Regular price $75.00You can select your shipping preferences during checkout. We offer UPS Ground or Next Day Air and USPS Priority Mail and Priority Mail Express. We offer local delivery within five miles of the shop. Orders generally ship out within 3 business days of the order being placed. You will receive an email with tracking information once your order is shipped.
Cocaïn: History & Culture
Regular price $60.00 Sale price $48.00For millennia before that, however, the unprocessed coca leaf had been essential to the development of indigenous South American cultures. How did the sacred plant of the Incas become the addictive white powder that held in its grip—and nearly destroyed—prominent figures like Sigmund Freud and Sir Arthur Conan Doyle, among countless others? And how did it get to wield the corrosive power depicted in films and television series such as Scarface and Narcos? This book tells that story.
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3rd Life of Agnes Varda
Regular price $46.00The Third Life of Agnès Varda features ample installation shots and texts by the artist, in addition to film stills, personal photographs and an interview between Varda and curator Philippe Pigue.
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Auto Erotica
Regular price $36.00Over the course of its 240 pages, Auto Erotica covers the gamut of motoring in Britain during the 1960s, 1970s and 1980s through rare ephemeral booklets full of unusual graphic ideas and concepts. Their fabulous photography, dazzling color charts, daring typography, strange foldouts and inspiring styles symbolize the automobile aspirations of generations of Britons.
Assembled by nostalgia enthusiast Jonny Trunk—author of The Music Library and Own Label—the book is also packed full of era-defining classic cars, from those we love to those we can’t remember. Expect fast Fords, the XJS, the TR8, MGs, Minis, Maxis, Renaults, Beemers, VWs, Vivas, Citroëns, DeLoreans and a whole lot more: amazing motorcars from the past, and even some from the future, as you've never seen them before.
Jonny Trunk is a London-based artist, collector, broadcaster, writer and archivist whose work is centered around nostalgia. In 1995, Trunk founded Trunk Records, specializing in film scores, old advertising jingles, art, sexploitation and kitsch releases. Trunk’s previous publications include Wrapper’s Delight, The Music Library, Own Labeland Wobbly Sounds.
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Tony Caramanico: Montauk Surf Journals
Regular price $55.00A window into the life of a pioneering figure in the proliferation of East Coast surf culture since the 1960s
Tony Caramanico has lived many lives bound by a singular passion. A competitive surfer, TV producer, surf shop owner, astute traveler, apprentice and artist, few have experienced more phases of surfing’s development than Caramanico. Unlike more established sports, surfing’s pop cultural adoption began largely in the ’50s and ’60s; many of those who have played a key role in its cultural ascension, such as Caramanico, are still around to impart their wisdom.
This one-of-a-kind book chronicles Caramanico’s life in surf, presenting a considered selection from his thousands of journal entries. These entries provide an intimate purview into the day-to-day life of a traveling surfer in the ’70s, ’80s and ’90s, highlighting his work with the late photographer Peter Beard, from his experience living on Beard’s compound to the direct ties between their artistic practices. Punctuating Caramanico’s journal entries are photos of his highly lauded, 100-plus-piece surfboard collection, along with introductions and interviews conducted by LA-based editor Zack Raffin. Melding collage work, stream-of-consciousness writing and a plethora of surf/pop cultural references, Caramanico’s journals paint an intricate picture of freedom, joy and his undying passion for a surfing life.
Tony Caramanico (born 1950) caught his first wave in 1963 at his native Gilgo Beach, New York. Tony’s 60 years of surfing have spanned the breadth of the sport itself. Acutely aware of his exuberant existence, Tony began chronicling his daily life via his unique take on journaling in the early ’80s. After meeting renowned artist Peter Beard in Montauk, New York, Caramanico was invited to live and apprentice with Beard, using this time to guide his artistic process.
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Ai Wei Wei: Making Sense
Regular price $45.00Known around the world for his powerful art and activism, Ai Weiwei (born 1957) does not differentiate between disciplines: his practice glides across art, architecture, design, film, collecting and curating. Richly illustrated with over 200 images, Ai Weiwei: Making Sense is the first major publication to present Ai’s work as a commentary on design and what it reveals about our changing values. It presents a selection of Ai’s collected objects, from ancient stone axe heads to porcelain teapot spouts, from Neolithic tools to modern mass-produced products, as well as new works created specifically for the Design Museum.
These collections draw from the artist’s fascination with historical Chinese artifacts, placing their craftsmanship in dialogue with China’s more recent history of demolition and urban development. Also featured are essays by leading experts covering dominant themes in Ai’s work, such as craft, collecting and the urbanization and industrialization of China. It concludes with an interview between renowned British Israeli architect Eyal Weizman and Ai himself.
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David Hockney: The Arrival Of Spring Normandy 2020
Regular price $30.00Drawing outdoors was an antidote to the anxiety of the moment for Hockney; “we need art, and I do think it can relieve stress,” he says. This uplifting publication―produced to accompany a major exhibition at the Royal Academy of Arts―includes 116 of these new iPad drawings and shows to full effect Hockney's singular skill in capturing the exuberance of nature. The book begins with an interview with the show's curator, Edith Devaney, in which Hockney discusses his heralding of the spring. It also features augmented reality, an exciting technology that enables smartphones and tablets to recognize printed images and play a related film or animation.
David Hockney (born 1937) is one of the most significant British artists of the 20th century. He attended the Royal College of Art in London and exhibited in one of the first British Pop art shows. In 1964 he moved to Los Angeles, where he lived for many years before returning to his native Yorkshire for a time. In addition to painting, Hockney has pursued photography, collage and printmaking as well as digital illustration. He lives and works in Normandy, France.
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Olafur Eliasson: Experience
Regular price $90.00You can select your shipping preferences during checkout. We offer UPS Ground or Next Day Air and USPS Priority Mail and Priority Mail Express. We offer local delivery within five miles of the shop. Orders generally ship out within 3 business days of the order being placed. You will receive an email with tracking information once your order is shipped.
Joel Meyerowitz: Redheads
Regular price $55.00Photographer Joel Meyerowitz (born 1938) began photographing redheads in 1978 against the contrasting blue backdrop of Cape Cod. The portraits from this period are collected in this new edition of Meyerowitz's 1991 photobook Redheads, featuring 16 additional images. After running an ad in the Provincetown Advocate, Meyerowitz began collecting the experiences of people who grew up with red hair, in addition to photographing them. Making up only two or three percent of the world’s population, their stories of schoolyard bullying and self-acceptance illustrate a broader narrative of growth and beauty.
Despite cultural and racial distinctions between redheads, the phenotypic association between the subjects brings a sense of familiality to the collection of portraits.
Meyerowitz describes how red hair and its reaction to light evokes a sense of the color film process. He is known for his transition to color film during a period of resistance to color photography. “My way of making portraits is not by getting down on my hands and knees, nor climbing high on a ladder, nor getting into bed with a celebrity,” Meyerowitz writes, “but simply standing eye to eye with anyone who has found their way to me, young or old. I need only one or two sheets of film and the patience to see it through.” This hardcover edition includes previously unseen portraits.
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Cindy Sherman: The Complete Untitled Film Stills
Regular price $50.00Cindy Sherman's Untitled Film Stills, a series of 69 black-and-white photographs created between 1977 and 1980, is widely seen as one of the most original and influential achievements in recent art. Witty, provocative and searching, this lively catalogue of female roles inspired by the movies crystallizes widespread concerns in our culture, examining the ways we shape our personal identities and the role of the mass media in our lives. Sherman began making these pictures in 1977 when she was 23 years old. The first six were an experiment: fan-magazine glimpses into the life (or roles) of an imaginary blond actress, played by Sherman herself. The photographs look like movie stills--or perhaps publicity pix--purporting to catch the blond bombshell in unguarded moments at home. The protagonist is shown preening in the kitchen and lounging in the bedroom. Onto something big, Sherman tried other characters in other roles: the chic starlet at her seaside hideaway, the luscious librarian, the domesticated sex kitten, the hot-blooded woman of the people, the ice-cold sophisticate and a can-can line of other stereotypes. She eventually completed the series in 1980. She stopped, she has explained, when she ran out of clichés.
Other artists had drawn upon popular culture but Sherman's strategy was new. For her the pop-culture image was not a subject (as it had been for Walker Evans) or raw material (as it had been for Andy Warhol) but a whole artistic vocabulary, ready-made. Her film stills look and function just like the real ones--those 8 x 10 glossies designed to lure us into a drama we find all the more compelling because we know it isn't real. In the Untitled Film Stillsthere are no Cleopatras, no ladies on trains, no women of a certain age. There are, of course, no men. The 69 solitary heroines map a particular constellation of fictional femininity that took hold in postwar America--the period of Sherman's youth and the starting point for our contemporary mythology. In finding a form for her own sensibility, Sherman touched a sensitive nerve in the culture at large. Although most of the characters are invented, we sense right away that we already know them. That twinge of instant recognition is what makes the series tick and it arises from Cindy Sherman's uncanny poise. There is no wink at the viewer, no open irony, no camp.
In 1995, The Museum of Modern Art purchased the series from the artist, preserving the work in its entirety. This book marks the first time that the complete series will be published as a unified work, with Sherman herself arranging the pictures in sequence.
Cindy Sherman is a ground-breaking American photographer, born in 1954. She began her "Film Stills" series at the age of 23, gaining early recognition, and has followed it with remarkable experiments in color photography. Her art has won her wide recognition and praise, and been collected and exhibited by major museums throughout the world since 1980. A major retrospective exhibition of her work was shown at The Museum of Modern Art, New York; the San Francisco Museum of Modern Art; the Walker Art Center, Minneapolis; and the Dallas Museum of Art. Sherman is the recipient of a MacArthur Foundation "genius" award and a John Simon Guggenheim Memorial Fellowship. She is represented by Metro Pictures gallery in New York.
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Michael Stipe: Even the Birds Gave Pause
Regular price $55.00The artistic polymath behind R.E.M. explores the potency of portraiture
Before his wildly successful foray into music—as frontman of the 1990s international sensation R.E.M.—Michael Stipe was a visual arts student at the University of Georgia in Athens. After the band dissolved in 2011, Stipe returned to his first love: generating illustrations, photography and sculptures. His diaristic photographs are perhaps his best known works, and he has previously published three photobooks with Damiani that largely consisted of portraits.
In this fourth publication, portraiture once again takes focus. This time, however, Stipe articulates the form through a plethora of mediums: including plaster, concrete, rotocast plastics, bookmaking, ceramics, video and darkroom photographic printing. The book privileges process over product, displaying a series of works in progress that continue an exploration of contemporary portraiture, instinct and abstraction. Classical and conceptual forms create a cohesive whole from seemingly disparate elements, culminating in an inclusive and complete vision, in which the familiar and unfamiliar are granted equal grounding. The volume is published in conjunction with Stipe’s solo exhibition of his artwork at the ICA Milano, which opened in December 2023 and will be up through March 2024.
The New York City–based artist Michael Stipe (born 1960) studied photography and painting before leaving school upon the formation of R.E.M. The sensibility that he began to develop during his time as an art student transferred to the spectrum of his work for R.E.M., from art directing all graphic, video and stage designs, to writing, composing and performance, and his iconoclastic personal style.
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Gary Simmons: Public Enemy
Regular price $60.00Covering 30 years of sculptures, paintings, works on paper, large-scale wall drawings, installations and site-specific works, this book presents the art of Gary Simmons, one of the most respected artists of his generation. Since the late 1980s, Simmons has played a key role in situating questions of race, class and gender identity within art discourse. He is notable for combining pop-cultural imagery with conceptual artistic strategies to expose and analyze histories of racism inscribed in US visual culture. Over the course of his career, Simmons has revealed traces of these histories in the fields of sports, cinema, literature, music, and architecture and urbanism while drawing on popular genres such as hip-hop, horror and science fiction. His approach is cool and unflinching in its interrogation of historical and cultural narratives, yet the results consistently deliver a strong emotional charge. This publication offers readers the opportunity to gain a holistic understanding of the complex, profoundly moving work of this influential artist.
Gary Simmons was born in 1964 in New York City, where he was raised. Today he lives and works in Los Angeles. He received a BFA in 1988 from the School of Visual Arts, New York, and an MFA in 1990 from the California Institute of the Arts, Valencia; he also studied at Hunter College, New York. He has received numerous awards, including the Studio Museum in Harlem Joyce Alexander Wein Prize (2013), the George Gund Foundation USA Gund Fellowship (2007) and the National Endowment for the Arts Interarts Grant (1990).
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Andrew Dosunmu: Monograph
Regular price $60.00The first retrospective volume on the photography of the internationally acclaimed Nigerian filmmaker, photographer and music video director Andrew Dosunmu, Monograph looks back at 20 years of previously unpublished and sumptuously colorful portraiture and more, including stills from music videos and the 2022 Netflix film Beauty.
Dosunmu has published his photography with iconic music and fashion magazines such as The Face, Vibe, Fader, Vogue Hommes, Paper and Interview, and has been commissioned by international brands such as Nike and Adidas. Throughout his career, Dosunmu has developed a prolific personal body of work that until now has never been published, though it has been sought after by private collectors and museums. The images compiled in Monograph portray uniquely stylish individuals in Dakar, Mumbai and Cartaghena. United by Dosunmu’s acute instinct for color into a compelling aesthetic vision, these portraits celebrate global culture with tremendous sensuality. The book includes a conversation between Dosunmu and Arthur Jafa.
Andrew Dosunmu is a Nigerian photographer and filmmaker who came to prominence in the US with music videos for various acclaimed artists. He is the director of Hot Irons, Restless City, Mother of George, Where Is Kyra? and Beauty, all of which premiered at the Sundance Film Festival. Dosunmu lives between New York City and Lagos, Nigeria.
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GAYFACE: Ash Kolodner
Regular price $50.00From 2011 to 2015, Brooklyn-based photographer Ash Kolodner (born 1987) traveled across the United States photographing hundreds of LGBTQ+ individuals of all ages. They made two consecutive portraits of each of their subjects, photographing them twice during the same sitting: once with eyes closed and then with eyes open. These diptychs symbolize the vulnerability many have felt at the outset of discovering their personal identities, and then the realization and self-actualization manifest in the intimate and profound process of coming out.
Through more than 180 color portraits, along with subject interviews and contributing texts by filmmaker Kimberly Peirce and Tony award-winning producer Jordan Roth, and icon and performer, RuPaul, Gayface reflects the beauty, intimacy and sometimes the pain of a community kept in the shadows for decades. Ultimately these pictures and this handsome volume represent a revelatory statement on the profound humanity we all share.
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Niki de St. Phalle: The Retrospective
Regular price $55.00Niki de Saint Phalle’s sensual Nanas—colorful, buxom female figures—laid the foundation for her international success beyond the art world. But the self-taught artist’s creative spectrum is much broader, and her unconventional oeuvre—ranging from painting and drawing to assemblages, performances, theater, film and architecture—is more subversive and critical of society than is widely assumed. Based in part on her efforts to process her own experiences, Saint Phalle addressed social and political issues, critically questioning institutions and role models in ways that are as relevant today as they have ever been. This publication sheds new light on the artist’s exceptional personality and uncovers an oeuvre that is always surprising and eccentric, emotional, dark and brutal, humorous and cheerful.
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Jimmy Desana: Submission
Regular price $60.00The first comprehensive book on the surreal, queer and humorous photographic art of Jimmy DeSana, a central figure in New York's art and music scenes of the 1970s and '80s
This is the first overview of the work of Jimmy DeSana, a pioneering yet underrecognized figure in New York's downtown art, music and film scenes during the 1970s and 1980s. The book situates DeSana's work and life within the countercultural and queer contexts in the American South as well as New York, through his involvement in mail art, punk and No Wave music and film, and artist collectives and publications.
DeSana's first major project was 101 Nudes, made in Atlanta during the city's gay liberation movement. After moving to New York in 1973, DeSana became immersed in queer networks, collaborating with General Idea and Ray Johnson on zines and mail art, and documenting the genderqueer street performances of Stephen Varble.
By the mid-1970s, DeSana was a fixture in New York's No Wave music and film scenes, serving as portraitist for much of the period's central figures and producing album covers for Talking Heads, James Chance and others. His book Submission, made with William S. Burroughs, humorously staged scenes out of a S&M manual that explored the body as object and the performance of desire. DeSana was also an early adopter of color photography, creating his best-known series, Suburban, in the late 1970s and early 1980s. This body of work explores relationships between gender, sexuality and consumer capitalism in often humorous, surreal ways. After DeSana became sick as a result of contracting HIV, he turned to abstraction, using experimental photographic techniques to continue to push against photographic norms.
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Gordon Parks: Pittsburgh Grease Plant, 1944/46
Regular price $48.00By 1944, Gordon Parks had established himself as a photographer who freely navigated the fields of press and commercial photography, with an unparalleled humanist perspective. That year, Roy Stryker—the former Farm Security Administration official who was now heading the public relations department for the Standard Oil Company (New Jersey)—commissioned Parks to travel to Pittsburgh, Pennsylvania, to document the Penola, Inc. Grease Plant.
Employing his signature style, Parks spent two years chronicling the plant’s industry—critical to Pittsburgh’s history and character—by photographing its workers. The resulting photographs, dramatically staged and lit and striking in their composition, showed the range of activities engaged in by Black and white workers, divided as they were by roles, race and class. The images were used as marketing materials and made available to local and national newspapers, as well as corporate magazines and newsletters. However, they served as much more than documentation of industry, enduring as an exploration of labor and its social and economic ramifications in World War II America by one of the most influential artists of the 20th century.
Featuring more than 100 photographs, many previously unpublished, this is the first book to focus exclusively on Parks’ photographs for the Standard Oil Company, illuminating an important chapter in his career prior to his landmark career as a staff photographer for Life.
Gordon Parks was born into poverty and segregation in Fort Scott, Kansas, in 1912. He worked as a brothel pianist and railcar porter, among other jobs, before buying a camera at a pawnshop, training himself and becoming a photographer. In addition to his tenures photographing for the FSA (1941–45) and Life magazine (1948–72), Parks evolved into a modern-day Renaissance man, finding success as a film director, writer and composer. He died in 2006.
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As It Was: Frank Habicht's Sixties
Regular price $75.00 Sale price $37.50The iconic black-and-white photographs of Hamburg-born photographer Frank Habicht (born 1938) reflect the spirit of the Swinging Sixties in London. In the 1960s, the conservative postwar years in England gave way to a period of upheaval, with a younger generation dreaming of an unconstrained life, one full of free love, peace and harmony. On the streets of the British capital, Habicht began photographing the profound social and political changes that were underway.
Habicht, who has lived in New Zealand since 1981, has produced photographs for many international magazines and newspapers, such as the Guardian, Die Welt, Camera Magazine and Twen. His photographs were recently exhibited at the Barbican in London, and he has made portraits of music and film greats such as Mick Jagger and the Rolling Stones, Jane Birkin, Christopher Lee and Vanessa Redgrave.
Frank Habicht: As It Was collects Habicht’s photos from the 1960s in an opulent book. A unique collection of images of the swinging, groovy, hippie and psychedelic ‘60s in London, it offers an eye-opening contribution to the history of a country that is currently undergoing yet more social transformation.
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Andy Warhol's The Chelsea Girls
Regular price $65.00Andy Warhol’s 1966 movie The Chelsea Girls is the iconic document of the Factory scene and 1960s New York. Filmed in part at the Chelsea Hotel with Factory Superstars like Nico, Ondine, Brigid Berlin, Gerard Malanga and Mary Woronov, The Chelsea Girls was Warhol’s first commercially successful film. “In one film alone,” an early reviewer noted, “[Warhol] has sadism, masochism, whipping, transvestites, homos, prostitutes, a homosexual ‘Pope,’ boredom, stunningly beautiful girls, depravity, humor, ‘psychedelics,’ truth, honesty, liars, poseurs....” In honor of the 24th anniversary of The Andy Warhol Museum, the publication of Andy Warhol’s The Chelsea Girls coincides with a major project undertaken by the museum to digitize hundreds of his well-known and never-before-seen films.
The book is an in-depth, deluxe treatment of the film, featuring stills from the newly digitized film, previously unpublished transcripts and archival materials, and expanded information about each of the individual films that comprise The Chelsea Girls. The film’s alternation of sound between the left and right screens is recalled in the publication’s design in which the transcripts are printed directly beneath the corresponding imagery to evoke an authentic experience of the film. Also included are previously unpublished transcriptions of unheard reels. Andy Warhol’s The Chelsea Girls is a beautifully produced document of a legendary movie and a mythic moment.
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